![]() During World War II, as the allies advanced through Italy, Kennedy was asked by the U.S. In 1940 his photographs were exhibited at the Golden Gate Expositon, San Francisco. ![]() He experimented with the Meriden Gravure Company in photographs for his wife's book on Baldovinetti in 1938, the text of which he printed personally with his own Cantina press. Kennedy was appointed Annual Professor, Toledo Museum of Art, for 1938-1939. His interest in photography led him to Edwin Land (1909-1991), then at Land-Wheelwright Laboratories and later co-founder of the Polaroid Corporation. He reliquished his graduate studies directorship in 1932, teaching as a visiting professor of fine arts, New York University the same year. He was promoted to (full) Professor of art at Smith in 1930. An eighth volume was abandoned for publication but the photos circulated. Beginning in 1928, Kennedy published an ultimately 7-volume series of photographic portfolios, Studies in the History and Criticism of Sculpture, assisted in some cases by the American School and initially co-published with the Carnegie Corporation of New York. During these same years he photographed the art collections for the Boston Museum of Fine Arts and the Frick and Weidner collections. He was appointed Director of division of graduate studies in Europe in 1925 at Smith. from Harvard in 1924 with a dissertation topic on the optics of Greek sculpture. His photographs were early published in an article by Fern Rusk Shapley in a 1922 article of the Art Bulletin. They married in 1921 in London, the same year Kennedy was made Assistant Professor at Smith. At Smith he met a Radcliffe graduate teaching economics, Ruth Wedgwood Doggett, daughter of the President of Springfield College, Springfield, MA, Laurence L. In Athens he received special instruction on cleaning sculpture from the archaeologist Franz Studniczka. As a Charles Eliot Norton Fellow of Harvard University, 1920-1921.he studied at American School of Classical Studies, Athens, where he became fascinated with photo documentation of monuments in which the School was engaged. ![]() He entered Harvard University for graduate work in 1916, joining Smith College, Northampton, MA, as a lecturer in architecture and art history in 1917. from the University of Pennsylvania in 1914 in architecture and his M.A in architecture the following year. ![]() Kennedy was the son of Clarence Kennedy (1854-1908), a Philadelphia lawyer, and Jennie May McClintock (Kennedy) (1867-1943). Historian of quattrocento sculpture at Smith College, 1916-1960, and art photographer. ![]()
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